Crosshatching - in crosshatching, the foreground portion of a drawing is crosshatched while the background is left unhatched. (Cf. "crosshair" and "doublecross".) Sometimes the crosshatching is done only on one side. Players use them as a way of developing a strong sense of line and surface in their paintings. (See Crosshatching, below.) Another use is in military camouflage: "The purpose of shading is to form, or obscure, a terrain, tree, rock, vehicle, or the like, with solid, contour lines. Shading removes the masking effect of contour lines and returns a surface that is more lifelike." Source: Wikipedia. Some, in fact, would argue that crosshatching has nothing to do with art at all, and is rather an attempt to camouflage the artist's work.
Player have used this technique in some of their portraits, such as that of Novella, in which she is portrayed with crosshatched lines. This may be done as an alternative to the technique of using a black crayon or marker to outline an image. Examples are seen in paintings such as Elements (1982), by Mark Flood, which shows only the inner contour, or outline, of the figure. This technique, also used by Klimt, was originally employed by Leonardo da Vinci and is found in Japanese woodblock prints (Ukiyo-e). The crosshatching can be found in the background of early Western paintings, where it was a common practice for painters to blur the outlines of the objects in the foreground with vague strokes. (See Stipple.) A good example is found in Leonardo da Vinci's Mona Lisa, where the general impression of the subject is blurred. In prehistoric art (often found in cave paintings) crosshatched or dotted outlines were also commonly used, to help the viewer focus on the subject.
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